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DTSTART;TZID=Europe/Berlin:20240204T160000
DTEND;TZID=Europe/Berlin:20240204T183000
DTSTAMP:20260408T065246
CREATED:20231111T174426Z
LAST-MODIFIED:20231111T174426Z
UID:10000010-1707062400-1707071400@jonathancable.net
SUMMARY:Haydn - Mozart
DESCRIPTION:Haydn\, Die Worte des Erlösers am Kreuze\, Hob.XX:2\nMozart\, Vesperae solennes de confessore\, K.339 \nLes Arts Florissants\, W. Christie \n  \nThe Seven Last Words of Christ on the Cross is one of Joseph Haydn’s major works\, along with The Creation and The Seasons. Composed in response to a commission from the Church of Santa Cueva in Cádiz\, Spain for Holy Week\, this piece was written in four versions\, the last of which\, premiered in Vienna in 1796\, takes the form of a large oratorio for soloists\, choir and orchestra. It is the last work that Haydn conducted in public during his lifetime. \nHaydn is associated with his most famous contemporary\, Wolfgang Amadeus Mozart\, whose Solemn Vespers of a Confessor complete the program. If the two works require the same orchestral forces and are similar in their religious dimension\, they are also balanced by their complementary tonalities\, the solemnity of Haydn finding its counterpoint in the joyful lightness of Mozart.
URL:https://jonathancable.net/event/haydn-mozart/
LOCATION:Grande Salle Pierre Boulez\, Philharmonie de Paris\, France\, 191 boulevard Sérurier\, Paris\, 75019\, France
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DTSTART;TZID=Europe/Berlin:20231211T200000
DTEND;TZID=Europe/Berlin:20231211T220000
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CREATED:20231111T173016Z
LAST-MODIFIED:20231111T173621Z
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SUMMARY:Campra\, Miserere and Requiem
DESCRIPTION:Campra\, Miserere\nCampra\, Messe de Requiem \nLes Arts Florissants\, W. Christie \nAndré Campra (1660-1744)\, a Provençal composer and renowned choirmaster at the cathedrals of Toulon\, Arles\, Toulouse and Paris\, wrote this Requiem mass probably shortly after his arrival in Paris in 1694\, while he was director of the Maîtrise de Notre-Dame. Perhaps composed for a service in memory of the Archbishop of Paris\, Monseigneur François de Harlay\, in November 1695\, this mass belongs to the period during which Campra’s religious music was reaching its full maturity\, as traditional polyphony is treated with the same expressiveness as solo arias\, which already announce the composer’s taste for opera – it was at this time that he began writing his opera-ballet L’Europe galante. The instrumental passages\, far from being simple preludes\, interludes or postludes\, also bear witness to the marked sensitivity of the future assistant master of the Chapelle Royale of Versailles.
URL:https://jonathancable.net/event/campra-miserere-and-requiem-2/
LOCATION:Grande Salle Pierre Boulez\, Philharmonie de Paris\, France\, 191 boulevard Sérurier\, Paris\, 75019\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231209T200000
DTEND;TZID=Europe/Berlin:20231209T220000
DTSTAMP:20260408T065246
CREATED:20231111T172802Z
LAST-MODIFIED:20231111T173134Z
UID:10000008-1702152000-1702159200@jonathancable.net
SUMMARY:Campra\, Miserere and Requiem
DESCRIPTION:Campra\, Miserere\nCampra\, Messe de Requiem \nLes Arts Florissants\, W. Christie \nAndré Campra (1660-1744)\, a Provençal composer and renowned choirmaster at the cathedrals of Toulon\, Arles\, Toulouse and Paris\, wrote this Requiem mass probably shortly after his arrival in Paris in 1694\, while he was director of the Maîtrise de Notre-Dame. Perhaps composed for a service in memory of the Archbishop of Paris\, Monseigneur François de Harlay\, in November 1695\, this mass belongs to the period during which Campra’s religious music was reaching its full maturity\, as traditional polyphony is treated with the same expressiveness as solo arias\, which already announce the composer’s taste for opera – it was at this time that he began writing his opera-ballet L’Europe galante. The instrumental passages\, far from being simple preludes\, interludes or postludes\, also bear witness to the marked sensitivity of the future assistant master of the Chapelle Royale of Versailles.
URL:https://jonathancable.net/event/campra-miserere-and-requiem/
LOCATION:Chapelle Royale de Versailles (France)\, 1 place d'Armes\, Versailles\, 78000\, France
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DTSTART;TZID=Europe/Berlin:20231015T150000
DTEND;TZID=Europe/Berlin:20231015T180000
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CREATED:20231022T213134Z
LAST-MODIFIED:20231022T213134Z
UID:10000006-1697382000-1697392800@jonathancable.net
SUMMARY:Ariodante\, HWV 33
DESCRIPTION:Considered Handel’s most accomplished opera\, Ariodante contains some of the most iconic arias in the Baroque repertoire. \nInspired by Ariosto’s Orlando furioso\, the libretto takes place in medieval Scotland\, where the love affair between Ariodante and Ginevra is thwarted by the dark scheming of Polinesso. But a final twist will save the hero from despair and blindness\, in an unexpected happy ending. \nLea Desandre\, Ana Maria Labin\, Ana Vieira Leite\, Hugh Cutting\, Krešimir Spicer\, Renato Dolcini\, Moritz Kallenberg\, \nLes Arts\, Florissants\, William Christie
URL:https://jonathancable.net/event/ariodante-hwv-33-4/
LOCATION:Auditorium Robert Poujade\, Opéra de Dijon\, France\, Place Jean Bouhey\, Dijon\, 21000\, France
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231008T150000
DTEND;TZID=Europe/Berlin:20231008T180000
DTSTAMP:20260408T065246
CREATED:20231022T212517Z
LAST-MODIFIED:20231022T212517Z
UID:10000005-1696777200-1696788000@jonathancable.net
SUMMARY:Ariodante\, HWV 33
DESCRIPTION:Considered Handel’s most accomplished opera\, Ariodante contains some of the most iconic arias in the Baroque repertoire. \nInspired by Ariosto’s Orlando furioso\, the libretto takes place in medieval Scotland\, where the love affair between Ariodante and Ginevra is thwarted by the dark scheming of Polinesso. But a final twist will save the hero from despair and blindness\, in an unexpected happy ending. \nLea Desandre\, Ana Maria Labin\, Ana Vieira Leite\, Hugh Cutting\, Krešimir Spicer\, Renato Dolcini\, Moritz Kallenberg\, \nLes Arts\, Florissants\, William Christie
URL:https://jonathancable.net/event/ariodante-hwv-33-3/
LOCATION:Opéra Royal\, Versailles\, France\, 3 place Léon Gambetta\, Versailles\, 78000\, France
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DTSTART;TZID=Europe/Berlin:20231005T190000
DTEND;TZID=Europe/Berlin:20231005T223000
DTSTAMP:20260408T065246
CREATED:20231022T211818Z
LAST-MODIFIED:20231022T212822Z
UID:10000004-1696532400-1696545000@jonathancable.net
SUMMARY:Ariodante\, HWV 33
DESCRIPTION:Considered Handel’s most accomplished opera\, Ariodante contains some of the most iconic arias in the Baroque repertoire. \nInspired by Ariosto’s Orlando furioso\, the libretto takes place in medieval Scotland\, where the love affair between Ariodante and Ginevra is thwarted by the dark scheming of Polinesso. But a final twist will save the hero from despair and blindness\, in an unexpected happy ending. \nLea Desandre\, Ana Maria Labin\, Ana Vieira Leite\, Hugh Cutting\, Krešimir Spicer\, Renato Dolcini\, Moritz Kallenberg\, \nLes Arts\, Florissants\, William Christie
URL:https://jonathancable.net/event/ariodante-hwv-33-2/
LOCATION:Grand Théâtre de Genève\, Switzerland\, Bd du Théâtre 11\, Genève\, CH-1204\, Switzerland
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DTSTART;TZID=Europe/Berlin:20231002T200000
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DTSTAMP:20260408T065246
CREATED:20231022T211048Z
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UID:10000003-1696276800-1696287600@jonathancable.net
SUMMARY:Ariodante\, HWV 33
DESCRIPTION:Considered Handel’s most accomplished opera\, Ariodante contains some of the most iconic arias in the Baroque repertoire. \nInspired by Ariosto’s Orlando furioso\, the libretto takes place in medieval Scotland\, where the love affair between Ariodante and Ginevra is thwarted by the dark scheming of Polinesso. But a final twist will save the hero from despair and blindness\, in an unexpected happy ending. \nLea Desandre\, Ana Maria Labin\, Ana Vieira Leite\, Hugh Cutting\, Krešimir Spicer\, Renato Dolcini\, Moritz Kallenberg\, \nLes Arts\, Florissants\, William Christie
URL:https://jonathancable.net/event/ariodante-hwv-33/
LOCATION:Grande Salle Pierre Boulez\, Philharmonie de Paris\, France\, 191 boulevard Sérurier\, Paris\, 75019\, France
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